Thug Pug in the House

They look really good for 4 weeks!
They are happy. They need bigger pots. Right now the plan is for 2 to go to 10g fabs, and the other two to 5g’s. They’ll be put in separate environments. I have a larger area the 10’s will go in. I’ll keep the two 5’s the 2x4 tent.
 
Final pots. I used 7g instead of 10g on these two. They fit better on the plant coasters they are sitting on.
 

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They showing sex yet?
 
Was planning to flip tomorrow but decided I’m going to keep vegging a little while longer. I want more green at the nets first. I also want to be sure my cuts are rooting in case I got to take more snips. I don’t want to take cuts off a flowering plant.
 

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Went to fill humidifiers tonight before lights out and saw this shit on one of my plants. My initial thought is to give a foliar feed of epsom but I’m not a real fan of foliar spraying my plants. My plan at the moment is to water in Epsom at 10ml per gal when the lights come on in the morning. I also have a product called elemental which is a roots organic top dress amendment for calmag. I gave this plant and the others a tbl spoon each of elemental two weeks ago. It’s high in Ca so I don’t want to use that again too soon. If I do end up spraying Epsom it would really only be the tops of the plant. It’s under a net and moving it isn’t worth the reward. I'm going to sleep on it. If you have other thoughts share them please.
 

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Turned the light down to under 200 ppfd and applied a foliar spray of Epsom. Also watered some in. I’ll check it in a couple hours to make sure she is dry enough to turn the light back up a bit but still under what it was set at. Here’s a whole plant pic after treatment.
 

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1)You could try fresh aloe mixed up (a bit of Dr Bronners/Castile soap provides a vehicle and then spray on the plants -- works like aspirin
2)Cut everything off the bottom 1/3 and a bunch of fans -- seems too crowded in there.
3)Add 1 more fan to the set up
4) Man listen to the pedal steel in this LP, very great thanks Jerry
Workingman's Dead


AllMusic Review​

Workingman's Dead [50th Anniversary Deluxe Edition] Review by Fred Thomas​

As the '60s drew to a close, it was a heavy time for the quickly crumbling hippie movement that had reached its apex just a few years earlier in 1967’s Summer of Love. Death and violence were pervasive in the form of the Manson murders, fatalities at the Altamont concert, and the ongoing loss of young lives in Vietnam despite the best efforts of anti-war activists and peace-seeking protesters. Difficult times were also upon the Grateful Dead, unofficial house band of San Francisco’s Summer of Love festivities and outspoken advocates of psychedelic experimentation both musical and chemical. The excessive studio experimentation that resulted in their trippy but disorienting third album, Aoxomoxoa, had left the band in considerable debt to their record label, and their stress wasn't helped at all by a drug bust that had members of the band facing jail time. The rough road the Dead were traveling down seemed congruent with the hard changes faced by the youth counterculture that birthed them. Fourth studio album Workingman's Dead reflects both the looming darkness of its time, and the endless hope and openness to possibility that would become emblematic of the Dead as their legacy grew. For a group already established as exploratory free-form rockers of the highest acclaim, Workingman’s Dead's eight tunes threw off almost all improvisatory tendencies in favor of spare, thoughtful looks at folk, country, and American roots music with more subdued sounds than the band had managed up until then. The songs also focused more than ever before on singing and vocal harmonies, influenced in no small way by a growing friendship with Crosby, Stills, Nash & Young. The band embraced complex vocal arrangements with campfire-suited folk on "Uncle John's Band" and the psychedelic cowboy blues of “High Time.”
Before they blasted off into hallucinatory rock as the Grateful Dead, several founding members had performed as Mother McCree's Uptown Jug Champions, a group that played traditional jug band music with earnest, heartfelt appreciation. Those early influences came into sharp focus on the bluegrass rhythms and hillbilly harmonies of "Cumberland Blues" and the glistening pedal steel and shuffling drums of "Dire Wolf." The more rocking songs add to the album's brooding feel with "New Speedway Boogie" directly addressing the violence at Altamont, and "Casey Jones," which appeared at first to be a lighthearted celebration of cocaine, but was really a lament for troubled times that felt like they were spinning off the rails.
The abrupt shift toward sublime acoustic sounds on Workingman's Dead completely changed what the Grateful Dead meant to their listeners at large. The enormous risk they took in changing their sound entirely resulted in a heartbreakingly beautiful, unquestionably pure statement and one of the more important documents of its time. They’d continue this trend on the even more roots-minded American Beauty, recorded later the same year, but the limitlessness, fearlessness, and true power of the band began here.

Credits​

Submit Corrections
Workingman's Dead [50th Anniversary Deluxe Edition]

 
1)You could try fresh aloe mixed up (a bit of Dr Bronners/Castile soap provides a vehicle and then spray on the plants -- works like aspirin
2)Cut everything off the bottom 1/3 and a bunch of fans -- seems too crowded in there.
3)Add 1 more fan to the set up
4) Man listen to the pedal steel in this LP, very great thanks Jerry
Workingman's Dead's Dead


AllMusic Review​

Workingman's Dead [50th Anniversary Deluxe Edition] Review by Fred Thomas​

As the '60s drew to a close, it was a heavy time for the quickly crumbling hippie movement that had reached its apex just a few years earlier in 1967’s Summer of Love. Death and violence were pervasive in the form of the Manson murders, fatalities at the Altamont concert, and the ongoing loss of young lives in Vietnam despite the best efforts of anti-war activists and peace-seeking protesters. Difficult times were also upon the Grateful Dead, unofficial house band of San Francisco’s Summer of Love festivities and outspoken advocates of psychedelic experimentation both musical and chemical. The excessive studio experimentation that resulted in their trippy but disorienting third album, Aoxomoxoa, had left the band in considerable debt to their record label, and their stress wasn't helped at all by a drug bust that had members of the band facing jail time. The rough road the Dead were traveling down seemed congruent with the hard changes faced by the youth counterculture that birthed them. Fourth studio album Workingman's Dead reflects both the looming darkness of its time, and the endless hope and openness to possibility that would become emblematic of the Dead as their legacy grew. For a group already established as exploratory free-form rockers of the highest acclaim, Workingman’s Dead's eight tunes threw off almost all improvisatory tendencies in favor of spare, thoughtful looks at folk, country, and American roots music with more subdued sounds than the band had managed up until then. The songs also focused more than ever before on singing and vocal harmonies, influenced in no small way by a growing friendship with Crosby, Stills, Nash & Young. The band embraced complex vocal arrangements with campfire-suited folk on "Uncle John's Band" and the psychedelic cowboy blues of “High Time.”
Before they blasted off into hallucinatory rock as the Grateful Dead, several founding members had performed as Mother McCree's Uptown Jug Champions, a group that played traditional jug band music with earnest, heartfelt appreciation. Those early influences came into sharp focus on the bluegrass rhythms and hillbilly harmonies of "Cumberland Blues" and the glistening pedal steel and shuffling drums of "Dire Wolf." The more rocking songs add to the album's brooding feel with "New Speedway Boogie" directly addressing the violence at Altamont, and "Casey Jones," which appeared at first to be a lighthearted celebration of cocaine, but was really a lament for troubled times that felt like they were spinning off the rails.
The abrupt shift toward sublime acoustic sounds on Workingman's Dead completely changed what the Grateful Dead meant to their listeners at large. The enormous risk they took in changing their sound entirely resulted in a heartbreakingly beautiful, unquestionably pure statement and one of the more important documents of its time. They’d continue this trend on the even more roots-minded American Beauty, recorded later the same year, but the limitlessness, fearlessness, and true power of the band began here.

Credits​

Submit Corrections
Workingman's Dead [50th Anniversary Deluxe Edition]'s Dead [50th Anniversary Deluxe Edition]

I am planning to defoliate when I flip to flower. There is another fan blowing across the top of the canopy. It’s in the back out of picture.
 
You've got it covered then, no remedy required. Haven't heard any update from the Laguna Beach artist, so we'll wait till he sends it. Quite a few new bud sites popping up here in Old Siam and the plants already smell like Gilroy California.
 
Clones are all happy and beginning to show roots. I’m removing the dome now and just added a mild nutrient solution to the tray. I’m sure they’ll be ready to plant this week.
 

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Clones are all happy and beginning to show roots. I’m removing the dome now and just added a mild nutrient solution to the tray. I’m sure they’ll be ready to plant this week.
Plan the work and work the plant.
 
These two are ready to flip. Got to defoliate the tent still. After that I’ll flip them all. Anything that doesn’t reach the net after the stretch will be removed as well.
 

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Clones are transplanted and happy. Cuts in jars will be given to a friend this weekend.
 

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Next on deck. I’m contemplating putting a net over them and flip soon rather then veg for a longer period.
 

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